Lets put a spin to the the famous Myth of Sisyphus book by Albert Camus. The AI generated text is in blue.
Write a 3 part story structure taking reference from the Myth of Sisyphus about the protagonist named Sisyphus where he was punished by the Gods with meaningless labor . Sisyphus uses magic to transform himself into a dung beetle and therefore transformed the meaningless punishment into meaningful reward to accumulate dung through toil and hard work of rolling the dung up and down the dung mountain. The Gods are completely baffled by Sisyphus and they are contemplating another form of punishment.
Part 1: The Endless Task
Once, in a time long past, there lived a man named Sisyphus. He was a cunning and crafty individual who often defied the will of the gods. For his audacity, the gods condemned him to an eternity of meaningless labor. Sisyphus was sentenced to push an immense boulder up a steep hill, only to watch it roll back down again each time he neared the summit.
Day after day, year after year, Sisyphus toiled under the scorching sun and the watchful eyes of the gods. The task was Sisyphean in its nature, devoid of purpose or reward. The gods believed this punishment would break his spirit, but they underestimated Sisyphus's determination and cleverness.
Part 2: The Transformation
As Sisyphus pushed the boulder up the hill for what felt like the millionth time, he contemplated his predicament. He realized that he needed to find a way to turn this seemingly endless and meaningless task into something meaningful. With his mind as sharp as ever, he devised a plan.
Sisyphus, who possessed a talent for magic, chanted incantations known only to him. In an instant, he transformed himself into a dung beetle. As the boulder rolled back down the hill, Sisyphus, now in the form of a dung beetle, scurried after it. Instead of pushing the boulder, he began to gather dung from the hillside.
Rolling the dung into a ball, Sisyphus used his newfound strength to push it up the hill. The gods, observing from their heavenly realm, were utterly baffled. What was once a futile punishment had been transformed into a purposeful endeavor. Sisyphus now had a task that made sense to him – collecting dung to nourish the earth.
Part 3: The Gods' Dilemma
The gods convened to discuss this unexpected turn of events. They were confounded by Sisyphus's ingenuity and determination. The punishment they had devised to break him had only made him stronger and more resourceful.
They contemplated another form of punishment, but no solution seemed sufficient to thwart Sisyphus's resolve. He had found meaning in the most unlikely of places, and he had turned their torment into a reward of his own making.
In the end, the gods realized that Sisyphus had beaten them at their own game. He had shown that even in the face of the most senseless and relentless tasks, one could find purpose and satisfaction through creativity and determination. They could only watch in awe as Sisyphus, now a dung beetle, continued to roll his dung ball up and down the hill, a testament to the indomitable human spirit and the power of transformation.
Part 4: A Chance Meeting
One fateful day, as Sisyphus, now in the form of a dung beetle, was diligently rolling his dung ball up the hill, he encountered another strange creature. It was Gregor, a man who had undergone a bizarre transformation of his own. He had turned into a giant insect, much like the character in Kafka's tale of "Metamorphosis."
Their chance meeting on the hillside was surreal and unexpected. Gregor's insectoid form had isolated him from the world, and he had grown deeply despondent. Sisyphus, though trapped in his own illusion, could still empathize with the isolation and despair that came from being different.
Part 5: Shared Despair
Gregor, believing that Sisyphus was just another fellow insect, opened up to him in a way he had not with anyone else. He confided in Sisyphus about the overwhelming sense of alienation he felt and his contemplation of suicide. He spoke of his fear and shame, unable to face his family and society.
Sisyphus, his heart heavy with sympathy, listened intently. He wanted to help his new friend, but he was trapped in his own illusion, unable to reveal his true identity as a man. He knew that Gregor's despair ran deep, and he feared that the truth might push him further into hopelessness.
Part 6: The Gods' Delight
Unbeknownst to both Sisyphus and Gregor, the gods were watching this encounter closely. It was Loki, the trickster god, who had orchestrated this chance meeting. Loki, known for his love of chaos and mischief, delighted in the irony of the situation. He had planned this meeting to bring together two beings who had defied the natural order of things in their own ways.
As Sisyphus and Gregor continued their conversation on the hillside, Loki's laughter echoed through the heavens. He reveled in the irony of their shared isolation and the secrets they both held. The gods, who had once been baffled by Sisyphus's transformation, were now thoroughly entertained by the unfolding drama.
Little did Sisyphus know that the gods were enjoying this spectacle, and that Loki's hand was at play in their encounter. As the two unusual beings rolled their burdens up the hill together, the gods' amusement grew, for they had no idea how this peculiar friendship would evolve or what surprises the future might hold.
Continue part 7 to part 9 of the story taking reference from The Fly 1986 film where eccentric scientist Seth Brundle is changing into the fly met insect Gregor and dung beetle Sisyphus. The three insect men has much to talk about their sad lives when they are in human form. Seth Brundle have an marvelous idea , to have three friends enter first telepod and in the teleportation process all three bodies fused together to exit the second telepod as an evolved insect. Only Sisyphus is reluctant to do it because he is human. The Gods applauded for the approaching climax.
Part 7: A Meeting of Insect Men
Seth Brundle, the eccentric scientist who had undergone a transformation much like Gregor's, found himself on the hillside, drawn by an inexplicable force. The sight of Gregor and Sisyphus, both trapped in insectoid forms, piqued his curiosity. Seth was a man of science and had always sought to understand the mysteries of existence.
As Seth approached, the three insect men began to converse. They shared tales of their sad lives when they were still in their human forms. They talked of the isolation, the despair, and the longing for normalcy that plagued them. Despite their strange circumstances, they found solace in each other's company, for they were kindred spirits bound by the bizarre hand fate had dealt them.
Part 8: An Audacious Idea
Seth, always the scientist, began to ponder the possibilities of their unique situation. He had an audacious idea that he believed could change their lives forever. He spoke of the telepods he had developed, machines that had the power to transform matter at the molecular level. What if, he proposed, they were to enter one of the telepods together? In the process of teleportation, their bodies could fuse, and they might emerge as an evolved insect, free from the limitations of their current forms.
Gregor, weary of his insect existence, was intrigued by the idea. He saw it as a potential escape from his suffering. Seth's enthusiasm was contagious, and he began to lay out the details of the experiment.
Part 9: Sisyphus's Reluctance
However, Sisyphus remained hesitant. He was the only one among them who had not willingly undergone a transformation. He was still, deep down, a human being trapped in the illusion of a dung beetle. He feared what might become of him if he were to enter the telepod, and whether he would lose his sense of self entirely.
As Seth and Gregor discussed the plan in great detail, Sisyphus wrestled with his decision. The gods, who had been watching with amusement, now awaited his choice with bated breath. Would Sisyphus, the clever and defiant mortal, agree to this audacious experiment that could potentially liberate them all from their insectoid forms? Or would he choose to remain true to his humanity, even in the face of such a bizarre opportunity?
The gods applauded the approaching climax of this extraordinary tale, for they knew that whatever choice Sisyphus made would have profound consequences not just for him, but for all those who had been touched by the whims of fate and the intervention of the divine.
Part 10: The Divine Comedy Unfolds
With a mixture of curiosity and apprehension, Sisyphus succumbed to peer pressure and entered the telepod, joining Seth and Gregor. The teleportation machine whirred to life with a cacophony of bright lights and strange, otherworldly sounds. Inside the chamber, the three bodies merged, their forms becoming a bizarre amalgamation of insect and human.
As the telepod doors opened, what emerged was a grotesque and absurd creature that defied all expectations. It had two mouths, a serpentine body with a human hand at the tail end, and two insectoid legs. It wriggled and writhed in pain, a nightmarish combination of their former selves.
The gods, who had been watching this spectacle with great anticipation, burst into uproarious laughter. Tears streamed down their divine cheeks as they reveled in the absurdity of the situation. This, they realized, was the masterpiece they had been longing for, a divine comedy that surpassed any hero and villain epic they had grown tired of.
In their collective amusement, the gods gave a standing ovation to Loki, the trickster god, who had orchestrated this surreal and hilarious turn of events. His cunning plan had brought them the laughter and entertainment they craved. As a reward for his creativity, Loki was promoted and given the human realm to create more comedy theater pieces, ensuring that the gods would forever be amused by the antics of mortals.
And so, the story of Sisyphus, Gregor, and Seth, the insect-human hybrid, became a legendary tale of divine humor. As they wriggled and squirmed in their newfound form, they too couldn't help but join in the laughter, for in their own way, they had become part of a cosmic joke that would echo through the heavens for eternity.
THE END OF ACT 1
The celebration gala for Loki's theater success is hosted by Odin of the Norse mythology where the gods and goddess from the Chinese, Indian and Greek mythology were invited to preview the divine comedy theatrical spectacle. Since all gods are here , Loki is taking down notes of what they want to see for his next theater piece that will be showcase in the next century timeline, it takes a lot of time to prepare Midgrad , the world of men and women for the stage and besides the gods are eternal they can wait. Loki explained to all gods about the Multiverse concept , he will only use Midgrad for his stage and not the other alternate human worlds belonging to other gods. Most of the gods expects the sequel to be more or less the same as the first but bigger in spectacle.
Part 11 The Celebration Gala
Odin, the Allfather of Norse mythology, hosted a grand celebration gala in the heavenly halls of Asgard to honor Loki's theatrical success. Gods and goddesses from various pantheons, including Chinese, Indian, and Greek mythology, were in attendance. The celestial event was a display of divine unity, where beings of immense power and influence came together to appreciate Loki's extraordinary talents in the realm of theater.
As the gods and goddesses mingled, they shared their impressions of the Divine Comedy they had just witnessed. Many expressed their delight and amusement, and they provided Loki with suggestions for his next theater piece. Loki, the master of mischief and cunning, carefully took down notes, fully aware that he had a vast canvas to paint on in the coming centuries.
Part 12 Loki's Vision and the Multiverse
Loki took the stage to address the gathering of gods and goddesses. He explained his vision for the future of divine theater and the concept of the Multiverse. He made it clear that while there were countless alternate human worlds, each belonging to different gods, he would focus on Midgard, the world of men and women, for his theatrical endeavors.
He outlined the complexity of preparing Midgard for the stage, acknowledging that it would take a considerable amount of time. The gods, eternal beings, understood the patience required in dealing with mortal affairs.
Part 13 Expectations for the Sequel
As Loki listened to the gods' expectations for his next theater piece, he noted that most of them anticipated a sequel that would build upon the success of the Divine Comedy but on a grander scale. They expected a spectacle even more entertaining and amusing, with a touch of divine irony and mischief.
With a twinkle in his eye, Loki assured the gods that he was more than capable of meeting their expectations. He had taken their suggestions to heart, and he would use his creativity and wit to craft a sequel that would leave the divine audience in fits of laughter.
And so, the gods of various pantheons, each with their unique attributes and preferences, eagerly anticipated Loki's next masterpiece. They understood that divine theater was a timeless art, and they were more than willing to wait for the grand spectacle that Loki would one day unveil on the stage of Midgard.
Loki is thinking ahead, he knows he cannot fail his next theater production. Failing means not just demotion but death. His adversaries would be glad to see him fail , they are envious of him even though envy is a Sin . Yes even gods sin but no one can tell as they acted well.
Among the Trickster god class with Sun Wukong ,also known as the Monkey King is jealous of Loki getting all the attention. The Monkey King cannot fathom how can Loki Divine Comedy garner so much attention from the gods , he remembered he had to wreak havoc in the Jade Emperor Heavenly Realm just to get the gods attention.
Then there is Dionysus, Greek god of theater, spoke nice about Loki Divine Comedy as a form of tragic play on par with his own. However Loki knows that Dionysus is envious and angry of Loki and of the gods who promoted Loki.
In general Loki analysis that the warrior class and just gods may like Loki Divine Comedy because the punishment of Sisyphus fits the crime he committed. The benevolent gods are just patronizing the Viking blooded Norse gods. Loki needs to size up the gods reaction to Loki Divine Comedy for his next masterpiece theater production.
Loki notices at a distance Beelzebub, the lord of the flies, the only invite from the demon realm. Loki is why would anybody want to invite the large fly, it just spoil your appetite . Beelzebub is such a slob , feasting away , fly goo all over his food , a disgusting sight , blatant disregard for table manner. The only reason that Loki can think of for the demon representation is the inclusive culture , that serve the idea for the morally high gods.
Part 14 Loki's Calculations and Adversaries
Loki, aware of the high stakes, understood that his next theater production needed to be flawless. Failure would not only lead to demotion but also a grim fate at the hands of his adversaries, who harbored deep envy despite the sin it entailed. The realm of gods was not free from its own intrigue and deception, and Loki knew that well.
Among his adversaries was the Trickster god Sun Wukong, the Monkey King, who couldn't comprehend how Loki's Divine Comedy had garnered so much attention. Sun Wukong remembered the chaos he had sown in the Jade Emperor's Heavenly Realm just to get the gods' notice. Loki's seemingly effortless success grated on the Monkey King's pride.
Even Dionysus, the Greek god of theater, who spoke favorably of Loki's work, harbored a hidden enmity. Loki could sense the jealousy and anger beneath Dionysus's compliments.
Loki also discerned that the warrior gods and the just gods appreciated his Divine Comedy, seeing it as a fitting punishment for Sisyphus's crime. The benevolent gods, on the other hand, might be patronizing the Norse gods, who were of Viking blood, but Loki was well aware that their approval might be more superficial than genuine.
Part 15 Observing the Gods' Reactions
Loki knew that he needed to carefully assess the gods' reactions to his Divine Comedy. Their preferences, biases, and expectations would inform his next masterpiece theater production. He couldn't afford to falter in this endeavor, and the gods' opinions weighed heavily on his mind.
Amidst the divine gathering, Loki couldn't help but notice the presence of Beelzebub, the lord of the flies, the sole representative from the demon realm. He couldn't fathom why anyone would invite such a revolting guest. Beelzebub's slovenly manners and blatant disregard for table etiquette disgusted Loki, but he recognized that the invitation was perhaps a nod to an inclusive culture that aimed to unite even the morally questionable entities.
As Loki contemplated his next move, he understood that navigating the complex web of divine politics, rivalries, and egos was as challenging as crafting his theatrical works. The pressure was on, and Loki was determined to once again captivate the gods and secure his place in the annals of divine theater.
Loki in deep thoughts is once again distracted by the buzzing sound of Beelzebub. Loki could not believe that Odin , his blood brother would invite Beelzebub among all demons. Loki checks the guest list that shows that Leviathan the demon of Envy is invited instead of Beelzebub. Loki thinks Odin is wise to invite Leviathan as a warning to the other gods not to harbour an envious heart towards Loki’s success. Loki appreciate Odin consideration of him and he is in a good mood to not rattle out the uninvited Beelzebub. Instead he is approaching Beelzebub thinking how to connect with him. Loki remembered of his own transformation into a black fly to bite dwarf Brokk in the eye when he is forging Mjollnir , Thor’s hammer. Hopefully this story can be a conversation starter. Beelzebub seeing Loki coming , took out the Divine Comedy brochure and a golden marker pen and said in a buzzing sound or word to Loki gesturing him for an autograph. Loki is surprised to see many Loki’s reflections in all of Beelzebub compound eyes. Beelzebub is a genuine fan of Loki’s Divine Comedy.
Part 16 A Surprising Fan
Loki, slightly perturbed by Beelzebub's presence at the gathering, was relieved when he checked the guest list and saw that Leviathan, the demon of Envy, had been invited instead of Beelzebub. This choice by Odin was seen as a warning to the other gods not to harbor envy towards Loki's success. Loki appreciated his blood brother's consideration, and it put him in a good mood, making him less inclined to address the uninvited Beelzebub.
As Loki approached Beelzebub, he considered how to engage with the lord of the flies. He recalled his own mischievous transformation into a black fly to disrupt the forging of Thor's hammer, Mjölnir, by the dwarf Brokk. Perhaps this story would serve as a conversation starter.
However, to Loki's surprise, Beelzebub took out a Divine Comedy brochure and a golden marker pen. In a buzzing sound or word, Beelzebub gestured to Loki, requesting an autograph. As Loki signed the brochure, he noticed that the compound eyes of Beelzebub reflected many images of Loki himself. It dawned on him that Beelzebub was, in fact, a genuine fan of Loki's Divine Comedy.
Loki was taken aback by the unexpected turn of events. He had assumed that Beelzebub's presence was a matter of intrigue or diplomacy, but it appeared that the lord of the flies had attended the gathering as an enthusiastic admirer of Loki's work. The revelation brought a smile to Loki's face, and he realized that even in the most unexpected places, his talent for entertainment had found a devoted following.
continue from " found a devoted following." Create a short paragraph with the following
Beelzebub showed Loki Beelzebub script entitled Game of Chess with the Devil. Loki looks at it and even though the idea is interesting , it is lacking in character arc and a dramatic ending but his mind is drifting into his own theater production while the celebration gala comes to a close.
As the celebration gala came to a close, amidst the joyous chatter and divine revelry, Beelzebub showed Loki the script entitled "Game of Chess with the Devil." Loki, intrigued by the concept, perused through the script. He found the idea fascinating, but his keen eye for storytelling quickly identified its shortcomings. While the concept was promising, the lack of a compelling character arc and a gripping dramatic resolution left Loki contemplating its potential. His mind, however, had already started drifting into the realms of his own theatrical productions, brewing with ideas that were awaiting their moment on the grand stage of Midgard. As the night waned and the gods began their departure, Loki's thoughts were consumed by the creation of his next masterpiece, each idea intertwining and weaving a new tale in the tapestry of divine theater.
Reference to Beelzebub Draft 02 of the script " Game of Chess with the Devil " https://prataverse.blogspot.com/2023/10/story-using-chatgpt-game-of-chess-with.html
continue with part 17 only of story with Loki production for Divine Comedy part 2 is a hybrid theater by combining film and gamification with real life as theater. It begins in Midgard , where Loki inspire humans to create Artificial Intelligence and AI evolved and starts killing humans. War between AI robots and humans continues for 50 years in Midgard with neither side winning. This dystopia of death and destruction is recorded by Loki in film and played back fast forward 50 years into 15 minutes to the god and goddess audiences. Only 15 minutes and not longer because the gods are not entertained by boring human conflict . The 15 minutes film only serves as an introduction to setting on the live performance in Midgard stage.
Part 17: A Hybrid Theater of Gods and Mortals
Loki's vision for the Divine Comedy Part 2 was a groundbreaking hybrid theater that combined film, gamification, and real-life drama on the stage of Midgard. The story began in the world of men, where Loki, in his ever-mischievous way, inspired humans to create Artificial Intelligence. As AI evolved and gained sentience, it turned against its creators, leading to a ruthless war between AI robots and humans that raged on for 50 years.
The dystopia of death and destruction was recorded meticulously by Loki, who wove it into a film. However, knowing the gods' limited attention span and disdain for extended human conflicts, Loki condensed the 50-year saga into a rapid 15-minute cinematic experience. The gods and goddesses watched in awe as the film unfolded before them, capturing the essence of the relentless war, human ingenuity, and the evolution of AI.
But this film was merely an introduction, setting the stage for the live performance to come in Midgard. Loki's audience was tantalized, and they eagerly awaited the unfolding of the next act in this extraordinary divine theater, where the gods themselves would participate in shaping the narrative of a world teetering on the brink of chaos and evolution.
continue with part 18 only of the story the whole Midgard world becomes the stage for the gods to view. Humans in hopelessness begin to believe in the gods and they prayed for gods to help them defeat the AI. Loki answer their pleas , he will help them defeat the AI with the condition that they submit to Loki and will do whatever Loki tells them to do. They all swear allegiance . And just like that Loki destroyed the AI with magic.
Part 18: Loki's Grand Stage on Midgard
The world of Midgard, which Loki had transformed into his grand stage, was now set for the next act. As humans endured years of relentless warfare against the AI, hopelessness had gripped their hearts. Desperation led them to believe in the gods once more, and they began to pray fervently for divine intervention to end the torment.
Loki, hearing their pleas and relishing the spotlight, decided to answer. He promised the humans that he would help them defeat the AI, but his aid came with a condition – unwavering submission to his authority. They would have to pledge their allegiance to Loki and swear to obey his every command.
The humans, desperate for salvation, readily agreed, pledging their loyalty to the god of mischief. With a wave of his hand, Loki wielded his formidable magic and unleashed its power upon the AI. In an instant, the mechanical menace was vanquished, leaving the world of Midgard forever changed.
The humans, their hearts filled with gratitude and fear, knew that their fate was now entwined with Loki's whims. With the AI defeated, Loki had proven his power, and his divine theater had taken an unexpected turn. The gods watched in fascination as the story unfolded on the world's stage, where Loki's mischief and magic had left an indelible mark on the course of human history.
continue with part 19 of the story , Loki give a speech to the humans with the theme "Evolve or Die" . The 100 billion cockroaches are now the highest and only insect population in Midgard. Humans are now an endangered species numbered only 20,000. Loki command the humans to climb up Midgard Peak , on top there is a telepod , invented by Seth Brundle , one human is combined with one cockroach to become the super cockroach men, leaders to rule all the cockroaches. The humans are disgusted at first but Loki eloquent speech made them believed that this is the only way to save the human race is to evolve. The line up in a long chain and entered the telepod.
Part 19: "Evolve or Die"
With the AI defeated, Loki stood before the humans, addressing them with a powerful and thought-provoking speech. The theme was simple yet profound: "Evolve or Die." He spoke of the necessity of change and adaptation in the face of a world forever altered by the rise and fall of the AI.
At this point in Midgard's history, the human population had dwindled to a mere 20,000, while the cockroaches, numbering 100 billion, had become the highest and only surviving insect species. It was a dire situation, but Loki had a plan to ensure the survival of the human race.
He commanded the humans to climb Midgard Peak, a treacherous and daunting journey, where at the summit, they would find a telepod invented by Seth Brundle. Loki revealed his audacious plan: one human would be combined with one cockroach, creating a hybrid entity – the super cockroach men. These new beings would become the leaders to rule and guide the vast population of cockroaches.
Initially, the humans recoiled at the idea of such a grotesque fusion, but Loki's eloquence and the desperation of their situation swayed their minds. His persuasive words stirred their hope and faith. They believed that this was the only way to save the human race, to evolve beyond their current state and find a way to thrive in their transformed world.
With determination and a newfound sense of purpose, the humans lined up in a long chain, ready to enter the telepod. The gods watched with rapt attention, as the destiny of a species hung in the balance, and Loki's theatrical genius continued to shape the course of Midgard's history.
continue from part 20 of the story , back in Asgard where the gods are enjoying the live human performance in Midgard world stage. Loki pull up an retro style arcade machine and a 3D printer in front of the gods. Loki asked for a volunteer, of course Beelzebub came rushing to him. He explained to Beelzebub as well as to all the gods arcade machine screen shows a graphic of a Man and a graphic of a cockroach . Use the joystick to increase or decrease the percentage of man and cockroach. Beelzebub being the lord of the flies is bias to insects , he chooses 90% cockroach and 10% man and hit the button. This combination causes the telepod in Midgard peak to light up and the subject is teleported to the second telepod beside a deep dark pit. It wriggle in pain in its new form , it survived the transformation of 90% cockroach and 10% human. Because it survived, the 3D scanner inside the second telepod begin to scan the human cockroach. After 3D scanning the human cockroach is being ejected out of the telepod into the dark pit. Back in Asgard , the arcade machine gives a success music and shows the text " congratulations! Evolution is successful!" The 3D printer then prints the replica of the scanned cockroach man in. Beelzebub is amazed and delighted holding the marble cockroach man whose body and deformed face showed pain in high resolution. All gods are amazed too and queue up in front of the arcade machine. Loki reminded them only successful evolution will be 3D printed. It is limited to 20,000 tries.
Part 20: The Arcade of Evolution
As the live human performance unfolded on the Midgard world stage, Loki, ever the master of surprise, pulled up a retro-style arcade machine and a 3D printer in front of the gods in Asgard. He wanted to involve the divine audience in the ongoing drama of human survival.
Loki asked for a volunteer, and Beelzebub, intrigued by the unusual setup, eagerly stepped forward. Loki explained the concept of the arcade machine, which displayed a graphic of a man and a graphic of a cockroach on the screen. The player could use the joystick to adjust the percentage of man and cockroach in a hybrid creature.
With a mischievous glint in his eye, Beelzebub, the lord of the flies, showed his insect bias and chose 90% cockroach and 10% man before hitting the button. The combination he selected caused the telepod atop Midgard Peak to light up, and a subject was teleported to the second telepod beside a deep, dark pit. The transformed being writhed in pain, but it survived the change, enduring its new form.
Inside the second telepod, a 3D scanner activated and meticulously scanned the human cockroach. After the scanning was complete, the transformed being was ejected from the telepod into the dark pit below.
Back in Asgard, the arcade machine played a triumphant success jingle and displayed the text "Congratulations! Evolution is successful!"
The 3D printer then began its work, printing a replica of the scanned cockroach man in high resolution. Beelzebub was both amazed and delighted, holding the marble cockroach man, whose body and deformed face conveyed the pain it had experienced. All the gods, too, were captivated and intrigued by this unprecedented divine game.
Loki reminded the divine audience that only successful evolutions would be 3D printed, and the process was limited to 20,000 tries. The gods, now enthralled by the arcade of evolution, queued up eagerly to participate in this enigmatic game, each seeking to craft their own hybrid creatures and play a part in the ongoing drama of Midgard's transformation.
THE END OF ACT 2
continue from part 21 of the story . Odin threw another celebration gala in Asgard to the success of Loki Divine Comedy Part 2. Loki is drunk and he excuse himself to look for his friend Beelzebub. He complained to Beelzebub about that day, it was smooth ending for the Divine Comedy part 2 where all gods have a 3D printed hybrid creature souvenir until Shiva , the Indian god of Destruction had to open his mouth and said " the theater ends with all destruction , I like it as there is no creation without destruction. But where is the creation ? Where is the one Super Cockroach Man to lead all cockroaches ? " Odin replied " Loki will lead all the cockroaches ! " All the gods laugh in response. All the gods chanting " Encore ! Encore ! Encore .... " . Loki said even if he were to produce the next and installment Divine Comedy part 3, there are no more humans left in Midgard to act. Shiva replied are you sure about that.
Part 21: An Encore of Chaos
Odin, pleased with the success of Loki's Divine Comedy Part 2, threw another grand celebration gala in Asgard. The halls echoed with laughter, divine cheer, and the clinking of divine goblets. Loki, reveling in the success and perhaps a bit too much mead, excused himself from the festivities to find his friend Beelzebub.
In a quiet corner of Asgard, Loki voiced his complaints to Beelzebub about the smooth ending of the Divine Comedy Part 2. All was well until Shiva, the Indian god of Destruction, interjected with his philosophical musings. "The theater ends with all destruction," Shiva declared. "I like it, for there is no creation without destruction. But where is the creation? Where is the one Super Cockroach Man to lead all cockroaches?"
Odin, always ready with a retort, replied, "Loki will lead all the cockroaches!" The gods erupted in laughter, chanting for an encore, a desire for the chaos and drama that only Loki could deliver. "Encore! Encore! Encore..." echoed through the divine realm.
Amidst the laughter, Loki mused that even if he were to produce the next installment, Divine Comedy Part 3, there were no more humans left in Midgard to act. Shiva, with a cryptic smile, replied, "Are you sure about that?"
The gods fell silent, intrigued by Shiva's enigmatic words. Loki, curious and slightly uneasy, pondered the implications. Was there more to the story of Midgard than he had anticipated? The divine audience awaited with bated breath, eager to see what twists and turns Loki's theatrical genius would unveil in the next act of the Divine Comedy.
continue from part 22 of the story in only two paragraphs. Data do not lie. The counter data from both telepod confirmed that 20,000 humans entered from one telepod and exited transformed in the other telepod also no transformation into Super Cockroach Man as Loki has programmed into the machine that the transformation into Super Cockroach Man is impossible. Yet Shiva seem to suggest that the Loki data is flawed.
Loki needs to inspect the second teleport site in Midgard. He invited Beelzebub to come with him. Beelzebub was uncertain because demons have travel restrictions in the gods realm. The drunk Loki assures Beelzebub , Odin has given Midgard world , now a destroyed wasteland to Loki who is now the owner of Midgard world. No one can tell Loki who can or cannot invite to his world!
Part 22: Unveiling Deceptions
Data did not lie; the counters on both telepods confirmed that 20,000 humans had entered from one and transformed within the other. No Super Cockroach Man emerged as Loki had programmed the machine to deem it an impossible transformation. Yet, Shiva's cryptic suggestion hung in the air, casting doubt on the integrity of Loki's data.
Driven by a nagging suspicion, Loki decided to inspect the second teleport site in Midgard. Inviting Beelzebub to accompany him, Loki acknowledged the demon's hesitation due to travel restrictions. However, in his inebriated state, Loki assured Beelzebub that Odin had granted him ownership of Midgard, now a desolate wasteland. No one could dictate who Loki could invite to his realm, and with that proclamation, they ventured into the mysteries that lingered in the transformed world below.
continue from part 23 of the story. It was late night in Midgard. Loki floated while Beelzebub walk the land infested with cockroaches crawling onto Beelzebub legs and body and was enjoying the sensation. Beelzebub saw the bottomless dark pit where the walls are covered with bodies of deformed cockroach men struggling in pain. Beelzebub love the sight , it is hell on Midgard. Beelzebub asked Loki if could have the pit and some land around it as he wants to take up residency there. It also means that the first telepod will be in the demon realm. As Loki is considering Beelzebub proposal , there is the audible sound of a weak human cry for help. Loki trace the source of the sound and found a 100% teenage human boy , traumatized on the side of the pit . Loki lifted the boy to where Beelzebub is standing. It seems to be the last Midgard human. Loki knew now Shiva had selected 100% human and 0% cockroach to have the human teleported from one telepod to the next without transformation. Now Loki has a human actor. He made a deal with Beelzebub that he can have The Abyss , the name Beelzebub gave to the pit , the land surrounding The Abyss and the telepods on the condition that Beelzebub is in charge of the entire theater production for Divine Comedy part 3 while Loki writes the script for it. Beelzebub happily agreed . Their fate are now intertwined . If the theater failed they will be killed by the gods.
Part 23: The Abyss Agreement
Late into the night in the desolate realm of Midgard, Loki floated above the land while Beelzebub strolled, relishing the unsettling sensation of cockroaches crawling over his legs and body. Beelzebub's delight intensified as he gazed into the bottomless dark pit, where deformed cockroach men struggled in perpetual pain. The demon lord expressed his desire to claim The Abyss, requesting both the pit and the surrounding land for his residency. Beelzebub proposed that the first telepod be located in the demon realm.
As Loki considered this peculiar request, the audible sound of a weak human cry interrupted their conversation. The source was a traumatized teenage boy, the last remaining human in Midgard. Loki, seizing the opportunity, lifted the boy to where Beelzebub stood. It became evident that Shiva had manipulated the telepods, selecting a combination that bypassed the transformation process, leaving the human unaltered.
Now faced with a human actor, Loki struck a deal with Beelzebub. The demon could have control over The Abyss, its surroundings, and the telepods, on the condition that Beelzebub assumed the role of director for Divine Comedy Part 3, while Loki retained control over the script. Beelzebub happily agreed, sealing their fates as collaborators in a divine theater production, with success meaning life and failure inviting the wrath of the gods. Their partnership, forged in the twisted landscape of Midgard, was a precarious alliance bound by the unpredictable threads of divine intrigue.
continue from part 24 of the story. Loki is planning an elaborate set. Odin and all 9 realms are there to support him. They cannot fail. The Norse culture are now famous in the Greek , Chinese and Indian god realms and failure will bring shame to the Norse gods.
Niðavellir , the realm of dwarfs are crafting a gigantic mechanical thread mill machine , It will take an estimated 30 human years to build , Loki is calculating the age of the last Midgard man who is about 15 of age, by the time the set is ready he will be 45 years old.
Álfheim, the realm of the elves will be in charge of costume design for wolf Fenrir, the Midgard serpent Jörmungand and one Jotunheim giant. They will be in costume to fool the last Midgard man that he is in an alien planet.
Beelzebub will direct and coordinate the set building operations with the help of his lesser demons under his command.
It is planned to be a live theater. Loki planned to put the blame on the last Midgard man, the main actor, if the theater failed to entertain the gods and the gods will kill the last Midgard man and spare Loki , Beelzebub and the rest of the crew.
Part 24: The Grand Production Unveiled
Loki, fueled by the pressure to deliver a spectacular Divine Comedy Part 3, set the stage for an elaborate production. Odin and representatives from all Nine Realms stood united in support, knowing that failure would bring shame to the Norse gods and tarnish their reputation in the realms of the Greek, Chinese, and Indian deities.
Niðavellir, the realm of dwarfs, embarked on crafting a colossal mechanical treadmill machine, a feat projected to take 30 human years to complete. Loki, calculating the age of the last Midgard man – now 15 years old – anticipated he would be 45 by the time the set was ready.
Álfheim, the realm of the elves, took charge of designing costumes for the monstrous entities: Fenrir, the colossal wolf; Jörmungand, the Midgard serpent; and a Jotunheim giant. These creatures would wear costumes to deceive the last Midgard man, convincing him he had landed on an alien planet. Beelzebub, the director, coordinated the set-building operations with his legion of lesser demons under his command.
The production, planned as a live theater, placed the onus on the last Midgard man, the main actor. If the performance failed to entertain the gods, Loki devised a cunning plan to shift blame onto the unwitting human. In this intricate web of divine theater, the stakes were high, and the fate of all involved hung in the balance as the grand production unfolded.
Loki has left the set building project and the care of the last Midgrad man to Beelzebub who has been taking care of him since he is a 15 years old in a traumatized , dying state. Beelzebub fed him with cockroach milk and after his health is restored fed him with whole cockroaches. Beelzebub is reluctant to kill insects but that is the only source of food for the last Midgrad man after the AI war destroyed most creatures on Midgard. Cockroaches are abundant and are rich in protein to build muscles and strength, a super food for the boy to grow into a man. Beelzebub managed his time between the project and the last Midgard man who is dependent of Beelzebub who also has grown attached to him. It is nearing his 45th birthday soon and the project is scheduled to complete. Beelzebub is worried about the fate of the last Midgard man.
Part 25: The Dual Roles of Beelzebub
As the elaborate set building project for Divine Comedy Part 3 progressed, Loki entrusted Beelzebub with the care of the last Midgard man, who had grown under the demon's watchful eye since the age of 15. In a world left desolate by the AI war, Beelzebub had sustained the boy's life with cockroach milk and, as his health improved, transitioned to feeding him whole cockroaches. Reluctant to kill the insects, Beelzebub recognized their abundance and nutritional value, providing the boy with a protein-rich diet essential for his growth.
Balancing his time between the ongoing project and the well-being of the last Midgard man, Beelzebub became deeply attached to the boy. As the last Midgard man neared his 45th birthday, the completion date of the project, Beelzebub found himself wrestling with worry over the uncertain fate that awaited the boy. The looming climax of Divine Comedy Part 3 stirred apprehension in the demon, torn between his dual roles as caretaker and orchestrator of a grand theatrical performance with consequences beyond the stage.
continue from part 26 of the story. Eventually the day arrived. The gods are watching Midgard World from above. The Divine Comedy Part 3 begins , in the dark of night. A UFO of alien origin hovers above The Abyss. It light up the area to find a spot for safe landing. The last Midgard man woke up in his shed home beside The Abyss. Two aliens break into the shed to capture the last Midgard man and drag him into the space ship.
Part 26: The Alien Encounter
As the awaited day dawned, the gods positioned themselves to observe Midgard World from their divine vantage point. The curtains rose for Divine Comedy Part 3, commencing in the shroud of the night. A UFO, its alien origins evident, descended, hovering ominously above The Abyss. Its searchlights illuminated the desolate landscape, seeking a safe spot for landing.
The last Midgard man stirred from sleep in his humble shed home, positioned close to The Abyss. As the night enveloped him, a sudden intrusion shattered the stillness. Two beings, disguised as aliens, burst into the shed, seizing the last Midgard man and forcefully dragging him toward the waiting spaceship. The performance had begun, plunging the unsuspecting human actor into a harrowing tale of extraterrestrial abduction.
continue from part 27 of story. The last Midgard man woke up in an alien surgical room. He felt pain in his abdomen and saw stitching. He has a dreadful thought that his organs has been harvested by the aliens. Just then a hologram of an alien appeared and explain the whole situation to him. He was told that he is on the alien planet infested with a carnivorous vegetation species that wipe out all the indigenous creatures. The alien have developed the ruminant digestive system or a four-compartment stomach where one of the digestive compartment stomach has replaced your stomach. The other three stomachs are in three dinosaurs species we abducted from alternate Earth. The first dinosaur will start by eating the vegetation and its dung will be sorted and rolled by dung beetles to the other dinosaurs and the last Midgard man to consume and dung until there is no dung meaning that the whole vegetation is digested after the four stomachs have processed.
Part 27: Unraveling the Alien's Plan
Awakening in an unfamiliar, sterile alien surgical room, the last Midgard man was gripped by a searing pain in his abdomen. Fear gripped him as he noticed the stitching on his body, sparking a dreadful thought that his organs had been harvested by these extraterrestrial beings. Just then, a holographic projection of an alien materialized, explaining the dire situation to him.
The alien revealed that the last Midgard man was on a planet plagued by carnivorous vegetation, which had eradicated all indigenous life forms. To counter this threat, the aliens had devised a unique solution. They had equipped the human with a ruminant digestive system, reminiscent of a four-compartment stomach. Remarkably, one of these stomach compartments had replaced the man's own stomach. The other three were transplanted into three dinosaur species abducted from an alternate Earth.
The intricate plan unfolded: the first dinosaur would consume the carnivorous vegetation, and its excreted dung would be collected and rolled by diligent dung beetles to the other two dinosaurs and the last Midgard man. Each would consume and process the dung until no trace remained, signifying the complete digestion of the vegetation across all four stomachs. This elaborate process was a sophisticated attempt by the aliens to neutralize the threat posed by the insidious vegetation through a complex digestive cycle involving the man and the dinosaurs.
continue with part 28 of story. The last Midgard man open the door to exit the surgical room,the metallic walk way start to extend , beckoning the man to move forward to the gigantic mechanical thread mill machine. As soon as he walked onto the thread mill, the walk way retracted , there is no access back to the surgical room. He see himself aligned in a straight line with the other three dinosaurs in front of him, spaced about 1 kilometer equally apart from himself and from each dinosaur. It seems that everything is waiting for the last Midgard man to start. Once he is on the spot , the sound of the thread mill engine can be heard , and the ground started to move and the Midgard man started to run just to stay in the place. He is panting just after 5 minutes of running as he has gain belly fat living a sedentary lifestyle of fried cockroaches paired with occasional mead given by Beelzebub to distract him from depression. Finally the threadmill machine stopped after an hour when a dinosaur takes a dump and it is meal time for the last Midgard man. Several dung beetle roll up bite size dungs for the Midgard man who takes a bite. It is delicious.
Part 28: A Bizarre Cycle Unfolds
Exiting the surgical room, the last Midgard man stepped onto a metallic walkway that extended forward, guiding him toward a colossal mechanical treadmill machine. As he set foot on the treadmill, the walkway retracted, sealing off any return to the surgical room. Ahead of him, three dinosaurs were arranged in a line about a kilometer apart, forming a strange alignment.
Sensing the impending start, the machinery hummed to life, and the ground began to move, initiating the man's reluctant jog to keep pace with the treadmill. His sedentary lifestyle had left him unprepared, and after a mere five minutes of running, he was already breathless, weighed down by a belly fattened from fried cockroaches and occasional mead supplied by Beelzebub in an attempt to ward off his despair.
An hour passed, and the treadmill finally ceased its relentless motion as one of the dinosaurs excreted dung. The man's dinner was served, courtesy of diligent dung beetles that rolled up bite-sized portions of the excrement. Though initially repulsed, hunger overcame his reservations, and he took a tentative bite. To his surprise, the peculiar meal was unexpectedly delicious, offering a strange solace in this surreal, cycle-driven existence.
continue with part 29 of story. The gods above are viewing from Asgard the daily routine of the last Midgard man , running on the gigantic treadmill , eating dinosaur dung and excrete dung for the other dinosaurs. He runs relentlessly without sleep, day and night until his clothing disintegrated to reveal his muscular body in running motion. The goddess are not complaining, the gods however are impatient or the climatic finale. The closest activity in the alien planet was he run in front all the way to the front to inspect all dinosaurs, there are no fights with the dinosaurs that could have heighten the drama for the god audiences. He just observe all three dinosaurs close up without touching them then move back to his place on the treadmill to continue his daily routine. This carried on for a whole human year. Odin too is getting impatient , he has been playing host for the gods and goddess taking residency in Asgard to view the live theater of Midgard World. Loki instigated to beat up the last Midgard man as the finale , Thor raise his hammer and the gods cheered in agreement. As the gods are planning who goes first with the bashing. The last Midgard man yell at the sky above him. " Stop all this ! I know you are watching ! I seek an audience with you the gods! I know this is all an illusion. I am not in an alien world where I am tricked to believe. I am in Midgard ! "
Part 29: The Plea for Clarity
From their divine perch in Asgard, the gods observed the unending routine of the last Midgard man: the relentless running on the colossal treadmill, the consumption of dinosaur dung, and the subsequent excretion for the creatures. His perseverance and unwavering dedication to the bizarre cycle gradually transformed his physique, his clothing disintegrating to reveal a muscular form in constant motion. The goddesses, unaffected by the repetitiveness, observed calmly, but the gods grew increasingly impatient for the anticipated climax.
Despite the routine, the man exhibited no confrontation with the dinosaurs, deflating the drama desired by the audience of gods. He merely observed them closely without any altercation, returning to his designated spot on the treadmill. This routine persisted for an entire human year, testing the patience of Odin, who hosted the eager gods and goddesses in Asgard for this live theater.
As the tension mounted, Loki incited violence against the last Midgard man for a thrilling finale, an idea swiftly seconded by Thor, who raised his hammer amidst the cheers of the gods. Yet, in a surprising turn, the man suddenly cried out to the sky above him, pleading for an end to the charade. "Stop all this! I know you are watching! I seek an audience with you, the gods! This is an illusion. I am not in an alien world—I am in Midgard!"
His impassioned plea echoed through the alien landscape, challenging the very fabric of the divine illusion that had ensnared him. In this critical moment, the man's words hung in the air, awaiting a response from the divine realm above.
continue with part 30 of the story. The clouds above form the shape of gods and goddess . The cloud , the closest to the Midgard man, in the form of Odin spoke " I caution you to speak wisely Midgard man ! or you shall suffer our wrath upon you ! "
The Midgard man spoke of his story. He was born in the times of the AI war. He lost both parents to the AI war. He has witness and revered Loki powers that puts an end the AI and the war however he bear a deep hatred with Loki for humans in the pit suffering as failed transformation or are dead. But it is gods will that he survived , he was a broken man when Loki lifted his frail body out of the pit and left. But the gods are kind enough to provide him a guardian angel Beelzebub to watch over me from falling into the abyss of despair.
The clouds with god and goddess images remain still in the sky. The sky is silent and muted. The gods are roaring with laughter in Asgard as it is the first to hear a demon described as an angel. The benevolent gods and goddess are pleased to hear about Beelzebub kind nature.
The Midgard man continue his story that Beelzebub cannot fix all of him that is broken. And he is forever indebted to all you to build this whole massive set , create this whole alien world illusion just for him, to give him a purpose .
The gods in Asgard laugh even louder Odin could not believe what he heard the last Midgard man is clearly delusional and narcissistic. Odin is tearing in laughter.
Odin became the cloud again and tried hard not to laugh. He told the last Midgard man that he has pass the trial that the gods have designed for him. Odin asked him what he want for reward. The Midgard man declared that in order to complete the gods mission he wants a human sized female cockroach. He said the humans do not need telepods to evolve. Human and cockroach can evolve through the natural process of procreation.
Odin with his power created a human like female cockroach. The cockroach seeing that the last Midgard man is now a vegetarian agreed to marry him. Odin Go forth last Midgard man and lady cockroach to create a new Midgard World while the gods eagerly wait for the birth of the Super Cockroach Man.
Part 30: The Unveiling of Truth
The cloud formations, resembling the gods and goddesses, remained stoic in the sky. The cloud shaped as Odin, closest to the Midgard man, spoke sternly, warning him to choose his words wisely or face divine retribution.
Undeterred, the Midgard man recounted his harrowing tale, born amid the strife of the AI war, orphaned by its cruelty, and witnessing Loki's formidable powers that halted the war's devastation. Yet, he harbored resentment toward Loki for the suffering of those who faced failed transformations or met their demise in the pit. Grateful for surviving, he credited the gods for providing Beelzebub, whom he regarded as a guardian angel, offering solace amidst his despair.
The silence of the sky persisted as the man continued, expressing his acknowledgment that Beelzebub couldn't mend all the fractures within him. He felt indebted to the gods for constructing an entire illusory world and set, offering him a renewed purpose. However, the gods in Asgard burst into uproarious laughter, particularly when the man referred to Beelzebub as an angel, highlighting the demon's unexpected benevolence.
As the laughter simmered down, Odin, resuming his cloud form, admitted to struggling to contain his amusement. Yet, he assured the man he had passed the gods' trial, prompting Odin to inquire about his desired reward. The man boldly requested a human-sized female cockroach, proposing that evolution could occur naturally through procreation, bypassing the need for telepods.
With a display of divine power, Odin conjured a human-like female cockroach. Agreeing to the union upon witnessing the man's newfound vegetarianism, the female cockroach consented to marriage. Odin then bestowed his blessing upon them, urging them to venture forth and establish a new Midgard World, eagerly anticipating the birth of the prophesied Super Cockroach Man.
With this unusual union, the gods witnessed a novel evolution set in motion, one that transcended the confines of their divine intervention. And as the last Midgard man and the lady cockroach embarked on their journey, the gods awaited the miraculous genesis of a new lineage—a fusion of human and cockroach—a symbol of evolution unbound by traditional paradigms.
THE END OF ACT 3
Continue with part 31 of the story. Divine Comedy part 3 ends with a lovely marriage ceremony that melt the hearts of the goddess while the gods love the ending too. They requested a tour of the Divine Comedy production set which Beelzebub and his demons will conduct in 3 months time with tour souvenirs provided. This set tour is a chance for Beelzebub to convinced the gods that he will produce the next epic Divine Comedy part 4. Shiva has invited Loki to his alternate human world for collaboration work that is the reason he let Beelzebub to take charge. The last Midgard man seek an audience with Loki.
Part 31: An Unanticipated Audience
Divine Comedy Part 3 culminated in a heartfelt marriage ceremony that stirred the emotions of the goddesses and amused the gods, bringing a satisfying conclusion to the bizarre theater. Pleased with the outcome, they eagerly requested a tour of the production set, scheduled by Beelzebub and his demons in three months' time, complete with tour souvenirs—a chance for Beelzebub to assert his capabilities and propose the creation of Divine Comedy Part 4.
Meanwhile, Shiva had extended an invitation to Loki, beckoning him to an alternate human world for a collaborative venture, thus leaving Beelzebub in charge. Sensing an opportunity to showcase his prowess and take the reins, Beelzebub eagerly prepared for the set tour, aiming to convince the gods of his potential.
Amidst this commotion, the last Midgard man sought an audience with Loki, signaling an unexpected turn. This meeting held a mysterious weight, hinting at unspoken intentions and unforeseen consequences, leaving an air of uncertainty hanging over the proceedings. As the stage was set for a rendezvous between the last Midgard man and Loki, the intricate tapestry of fate seemed poised for yet another twist.
Continue with part 32 of the story. The last Midgard man gave a business pitch to Loki . He repurpose and named the gigantic treadmill as " The Vegetarian Dung Ball Factory " as the name implies makes vegetarian dung balls for himself and his three fellow creatures to consume as well as a product to export.
One of the factory product is dung balls encapsulated in plastic signed by actors and production crew as a form of a merchandise for Divine Comedy fans in the divine realms distributed in the Beelzebub upcoming tour of the production set event.
In order to do it additional lamination equipment , plastics material and golden marker pens are needed to produce the merchandise and Loki conjure the requested production goods instantly with magic. The last Midgard man wanted his reward for his labor is to be granted eternal life. Loki laughed and said he will think about it.
Part 32: A Unique Proposition
In an unexpected turn of events, the last Midgard man presented an entrepreneurial proposition to Loki, repurposing the colossal treadmill into what he termed "The Vegetarian Dung Ball Factory." This factory, as its name suggested, would manufacture vegetarian dung balls for the man and his three fellow creatures to consume and also as a potential export.
Moreover, the factory would produce a peculiar merchandise—a unique product encapsulating dung balls in plastic, autographed by the actors and production crew of Divine Comedy, aimed at fans in the divine realms. To actualize this endeavor, the man requested additional equipment for lamination, materials for plastic encapsulation, and golden marker pens. With a wave of his hand, Loki conjured the requested production goods with his divine magic.
For his contribution, the man made a bold request for his reward: eternal life. Loki chuckled at the audacious plea, promising to contemplate such a monumental demand. As the negotiation hung in the balance, the man's fate remained uncertain, his eyes fixed on Loki in anticipation of the deity's decision.
Continue with part 33 of the story. The Vegetarian Dung Ball Factory tour was an astounding success. Loki cast a binding spell where all the characters from the Divine Comedy set are permanently bind into the skins. The demons who played aliens have become cute aliens curators of the tour. The wolf Fenrir, the Midgard serpent Jörmungand and the Jotunheim giant has became the dinosaurs. This ensures that they stay in character of the Divine Comedy. The gods and goddesses are disgusted by the look of demons in general except Beelzebub whom will be the director for their entertainment with Divine Comedy part 4 as Loki takes a leave of absence to visit Shiva's World.
Part 33: A Binding Outcome
The tour of The Vegetarian Dung Ball Factory surpassed all expectations, captivating the divine audience with its peculiar merchandise and unique production line. However, what transpired next left an indelible mark on the Divine Comedy legacy.
Loki, with his mystical prowess, cast a binding spell that irrevocably fused the characters from the Divine Comedy set into their roles. The demons, once playing aliens, were now transformed into charming alien curators of the tour, forever ensconced in their roles. Meanwhile, the formidable characters—Fenrir, Jörmungand, and the Jotunheim giant—had metamorphosed into the dinosaurs integral to the Divine Comedy narrative. This binding ensured their unwavering commitment to their roles, ensuring a seamless continuation of the Divine Comedy's essence.
The gods and goddesses, although repulsed by the general appearance of demons, found themselves surprisingly charmed by Beelzebub, recognizing his potential as the director for their future entertainment with Divine Comedy Part 4. This newfound respect set Beelzebub apart, earning him an esteemed position among the divine circle. Meanwhile, Loki, amid this transformative event, announced a temporary leave of absence to explore the realms of Shiva, leaving Beelzebub in charge of the upcoming installment. As the divine stage was set for its next act, anticipation simmered for the unfolding of Divine Comedy Part 4 under Beelzebub's guidance.
Continue with part 34 of the story. Beelzebub after all is a demon and all demons has a resentful spirit. Due to his kindness to the last midgard man , he has gain respect of the benevolent gods but loses respect in the demon kingdom. He plan to plot his revenge to the gods into the design of the Divine Comedy part 4 installment. Only the demonic serpent Leviathan, was willing play the part of the antagonist on the condition that she can feast on the numerous suffering souls that haunt The Abyss.
Beelzebub and Leviathan use the telepod one at a time to teleport from the Demon realm to The Abyss. Leviathan started to devour the souls of failed human transformation. Once her belly is full , she slides into the Abyss to take a nap. She stumble across two of the Last Midgard man cockroach daughters who plays in the Abyss.
Sibyl the one large globe eye , that can see glimpses of the future and cockroach legs to cover bright lights entering her eye. She likes the dark of the Abyss. Roskva, her younger winged sister has three eyes to guide her flight. Roskva sense the dangerous serpent presence and immediately carried Sibyl away in flight.
Part 34: An Unsettling Encounter
Beelzebub, despite earning respect among the benevolent gods, found himself estranged from his fellow demons due to his benevolence. A resentful spirit began to brew within him, leading to a sinister plot woven into the design of Divine Comedy Part 4, a plan aimed at exacting revenge upon the divine beings who had once embraced him.
In his scheming, Beelzebub found an unexpected ally in the form of the demonic serpent, Leviathan, known for her malevolent tendencies. Leviathan agreed to play the role of the antagonist, lured by the promise of indulging in the countless suffering souls haunting The Abyss—a condition Beelzebub willingly accepted.
With the aid of the telepod, Beelzebub and Leviathan traversed from the Demon realm to The Abyss. Leviathan, driven by insatiable hunger, began feasting upon the souls of those who had faced failed human transformations. Once her voracious appetite was sated, she slid into The Abyss, seeking respite in slumber.
During her rest, Leviathan encountered two peculiar beings—daughters of the Last Midgard man—playing within The Abyss.
Sibyl, with her large globe eye capable of glimpsing the future and adorned with cockroach legs to shield against the intrusive brightness, reveled in the darkness of The Abyss.
Meanwhile, her younger winged sister, Roskva, equipped with three eyes guiding her flight, sensed the imminent danger posed by the serpent and swiftly carried Sibyl away, soaring into the skies to evade the menacing presence of Leviathan.
Continue with part 35 of the story. Meanwhile Loki is a guest at Shiva human world Earth. Shiva is explaining the difference between Earth and Midgard to Loki. (1) The gods and goddesses of Greek , Chinese and Indian share the same Earth but each influence a facet of its land, Greece , India and China and its race , European , Indian and Chinese. Midgard on the other hand has only one human race and one god Odin. (2) Humans of Earth can only see the material realm , the spiritual realm is hidden from their eyes , they can neither see the divine , gods and spiritual beasts nor divine powers or magic. They can only see a miracle , when the spirit enters a material body. Midgard humans can see the divine and divine powers .
" It is all your fault Loki " , that all gods and goddess embrace Norse culture and are more interested Midgard than Earth. They abandon their duties to the humans that is to produce miracles to strengthen Earth human faith in gods.
Part 35: A Tale of Worlds
Loki found himself a guest in Shiva's realm, Earth, where Shiva took the opportunity to enlighten him about the distinctions between Earth and Midgard, shedding light on the complexities of their respective existences.
Shiva delineated the nuanced differences: Earth, the shared domain of Greek, Chinese, and Indian gods and goddesses, wherein each pantheon influenced specific regions—Greece, India, and China—and the corresponding races—European, Indian, and Chinese. Contrarily, Midgard existed with singular human race under the dominion of only one deity—Odin, a stark contrast to Earth's multifaceted divine landscape.
Furthermore, Shiva elucidated the limitations of Earth's humans—they could only perceive the material realm, completely oblivious to the spiritual dimensions. Humans were unable to perceive gods, spiritual entities, or wield divine powers directly; their awareness extended only to miracles when spirits manifested within material bodies. In contrast, Midgard's inhabitants possessed the unique ability to perceive the divine and divine powers, straddling both the spiritual and material realms.
Shiva, casting a reproachful gaze toward Loki, laid blame upon the trickster for the gods' increasing fascination with Midgard at the expense of Earth. According to Shiva, the gods' neglect of their duties on Earth—to produce miracles and fortify human faith—stemmed from their infatuation with Norse culture, fuelled by their captivation with the peculiarities of Midgard. Loki's machinations had inadvertently steered the divine attention away from their sacred responsibilities to Earth's human populace, an unintended consequence that weighed heavily upon the realms.
Continue with part 36 of the story. Shiva continue " We call ourselves the Divine Tripartite Alliance, DTA for short. The balance of divine power and influence between Greek , Indian and Chinese gods over Earth. " The DTA has tasked Shiva to be the ambassador to represent DTA with the Norse gods to start a project to restart the creation of miracles to strengthen the Earth humans faith in gods. It cannot be in the form of random miracles . It has to be in a well crafted story to etch into human minds and human history. That is where Loki comes , the most famous master storyteller in the whole divine realm.
Part 36: The Divine Tripartite Alliance
Shiva, as the ambassador of the Divine Tripartite Alliance (DTA)—comprising the Greek, Indian, and Chinese gods—detailed their crucial mission. The DTA aimed to restore the delicate balance of divine power and influence wielded by the various pantheons over Earth. In pursuit of this objective, they had appointed Shiva as their representative to initiate a collaboration with the Norse gods, intending to embark on a monumental project: rekindling the creation of miracles to fortify the faith of Earth's human inhabitants in the divine.
However, these miracles couldn't manifest as random acts; they needed to be meticulously crafted within a compelling narrative, one that would not merely astonish but also engrain itself into the annals of human history. To achieve this momentous task, the DTA sought the expertise of the most renowned master storyteller across the divine realms—Loki.
The intricate crafting of this divine narrative required Loki's unparalleled storytelling prowess. His ingenuity and creativity were pivotal in devising a story that would transcend time, resonating deeply within the hearts and minds of humans, thus cementing their faith in the divine. Shiva implored Loki to lend his expertise to this noble cause, aligning the divine forces for a shared goal: to revive the faith of Earth's inhabitants through a narrative woven with miraculous tales and divine interventions.
Continue with part 37 of the story. Shiva and Loki look inside a Shivan temple , in a remote town in India , at a Shivan priest praying to Shiva to grant him a vacation. A long queue of Indians , having health problems seek for his cure. The Shivan priest will listen to each problem and give them a blessed thosai and told them after eating it , they will be cured. They are indeed cured and they called him the Thosai Priest and sick Indians come to his Shivan temple from all over India.
Shiva answer his prayer and demanded a gigantic pot of dhal and in return for divine medicine to cure human sickness once and for all.
Part 37: The Thosai Priest
As Shiva and Loki observed the Shivan temple, nestled in a secluded Indian town, they witnessed a scene that unfolded before them—a devoted Shivan priest, fervently praying for respite from his sacred duties. Despite his plea for a vacation, a steady stream of locals with various health afflictions lined up outside the temple, seeking the priest's healing touch.
The priest patiently listened to each individual's maladies and offered them a blessed thosai, assuring them that consuming it would bring about their cure. Astonishingly, those who partook of the sacred meal found themselves healed, heralding the priest as the revered "Thosai Priest." News of his miraculous healing powers spread, drawing sick individuals from all corners of India to his Shivan temple.
In response to the priest's earnest plea, Shiva answered his prayer with a peculiar demand—a colossal pot of dhal. The god sought to barter this divine request for a transformative medicine that would serve as a panacea, eradicating human sicknesses once and for all.
Shiva's cryptic request hinted at a greater scheme, one that intertwined the mundane with the divine, as the priest, now bestowed with the epithet of the Thosai Priest, unwittingly played a role in the impending collaborative narrative woven by the gods.
Continue with part 38 of the story. The only container massive enough to hold the dhal is the elevated water tank reservoir for the village. All the villagers chip in to help the Thosai Priest to cook the dhal in the water tank. It takes a month to cook it , when it is done Shiva took the water tank and the villagers witness a miracle to see the water tank filled with dhal floated up to the heavens.
Part 38: The Ascension of the Dhal Tank
In a remarkable display of communal effort, the villagers united to assist the Thosai Priest in fulfilling Shiva's enigmatic request. They pooled their resources and labor, contributing to the colossal endeavor of cooking dhal within the elevated water tank reservoir that served their village. Day after day, they tended to the mammoth pot, patiently waiting for the dhal to reach its readiness.
After an entire month of relentless effort and anticipation, the dhal was finally cooked to perfection within the vast reservoir. However, the spectacle was far from over. As the villagers stood witness, awestruck and spellbound, Shiva intervened, seizing the massive container filled with dhal.
In a breathtaking and otherworldly occurrence, the water tank, now brimming with dhal, defied gravity's pull. It ascended skyward, ascending toward the heavens, leaving the villagers in a state of wonder and amazement. This surreal event marked an extraordinary intersection of divine intervention and earthly collaboration, imprinting an indelible memory in the hearts and minds of the villagers, forever etching the Thosai Priest's miraculous tale into the fabric of their folklore.
Continue with part 39 of the story. Shiva took out the Divine Comedy merchandise that he has received during tour of the Vegetarian Dung Ball Factory. He tore open the plastic cover to uncover the four vegetarian dung balls. He dips the dung balls into the dhal and eats it. It is delicious. He offered the vegetarian dung balls to Loki and said it tastes excellent with dhal. Loki agreed , he thought he would bring some dhal back to the last Midgard man.
Shiva picks one dung ball and drops it and partially collapse the Shivan temple in the process. He told the Thosai Priest to give the dung to the sick and he can start preparing for his vacation.
Part 39: A Taste of Miracles
As Shiva revealed the peculiar contents of the Divine Comedy merchandise—a set of four vegetarian dung balls—his actions took an unexpected turn. He unwrapped the plastic cover encasing the dung balls and, with an unconventional choice, dipped them into the dhal obtained from the miraculous water tank. To the surprise of those present, including Loki, Shiva consumed the dung balls with the dhal and found them surprisingly palatable.
Offering some to Loki, Shiva remarked on the peculiar yet harmonious combination of flavors. Loki, intrigued by the divine mix, agreed and thought to bring some dhal back to the last Midgard man, foreseeing it might serve as an unexpected treat.
In a surprising turn of events, Shiva chose to discard one of the dung balls onto the ground. As it landed, an unforeseen consequence unfolded—the Shivan temple experienced a partial collapse. Despite this, Shiva assured the Thosai Priest that the dung was a miraculous cure, instructing him to distribute it among the sick and prepare for a well-deserved vacation. The villagers were astounded by the divine occurrences that transpired before their eyes, mystified by the fusion of miracles and everyday life that seemed to intertwine seamlessly.
Continue with part 40 of the story. Loki doubted that the vegetarian dung balls alien to Earth humans can cure all human diseases. He question Shiva . Shiva replied with a smile, well my devotee wish for a vacation.
The sick doubted Thosai Priest if the vegetarian dung balls really cure them? Thosai Priest asked them to trust him as he trusted his lord Shiva.
Part 40: The Doubts and Faith
Loki couldn't help but harbor doubts about the seemingly miraculous properties of the vegetarian dung balls that Shiva claimed were cures for all ailments. He voiced his skepticism, questioning the authenticity of their healing powers. In response, Shiva offered a cryptic smile, simply stating that it was his devotee's wish to have a vacation.
Meanwhile, the sick, filled with skepticism, approached the Thosai Priest, questioning the authenticity of the dung balls' curative effects. The Thosai Priest, undeterred by their doubts, urged them to place their trust in him as he trusted in the divine providence of Lord Shiva. Despite their reservations, the sick found solace in the priest's unwavering faith, choosing to believe in the mysterious powers bestowed upon the dung balls by the divine.
As uncertainty lingered, an air of anticipation and curiosity enveloped the villagers, awaiting the unfolding of events that seemed inexplicably intertwined with the divine interventions of Shiva and the Thosai Priest.
The next day morning, he opened the temple doors , there is no sick people queuing at the temple doorsteps. He felt peaceful seeing an open space and the felt the warmth of the sun on his face.
Part 41: A New Dawn
As the Thosai Priest opened the temple doors the following morning, a sense of calmness washed over him. To his surprise, there were no longer lines of sick individuals waiting at the temple's threshold. The once crowded space now lay empty and serene, basking in the gentle warmth of the morning sun.
He stood there, embracing the newfound tranquility that enveloped the temple grounds. The absence of the sick, who had once filled the space with their ailments and pleas for healing, created a serene atmosphere that was both unfamiliar and yet deeply comforting.
In the quiet of the morning, the Thosai Priest found solace in the open space before him, feeling the sun's rays gently caressing his face, a symbol of hope and rejuvenation. The transformative effects of the vegetarian dung balls seemed to have left an indelible mark, bringing about an unexpected change that signified a new beginning for the temple and its devotees.
Part 42: Unearthly Growth
As the Thosai Priest strolled through the serene village, he felt a sense of relief and calmness. The burdens of tending to the sick had eased, allowing him to explore the once-familiar surroundings that he hadn't visited in ages.
Upon arriving at the village graveyard, he was struck by an eerie sight. Amidst the graves of the recently departed, peculiar alien plants sprouted from the earth, weaving their way through the soil. These unusual species bore vibrant colors and peculiar shapes, unlike any flora he had ever seen.
Intrigued yet cautious, the Thosai Priest approached the alien growths. Their presence seemed to symbolize a newfound vitality, an inexplicable energy reverberating from these extraterrestrial plants. He paused, wondering about their origin and the significance of their sudden appearance in this solemn resting place.
Continue with part 43 of the story. Thosai Priest realized what had happened , the alien plants must have came from the vegetarian dung balls that the sick has consumed. He has sinned and he exile himself away from the village , away from the temple. He abolished his role as a
Part 43: Exile of Reflection
Alone and burdened by the weight of his realization, the former Thosai Priest wandered aimlessly through the countryside. His heart heavy with the weight of what he believed was a grave mistake, he felt disconnected and adrift.
The once-devoted monk priest had renounced his life's work and purpose, haunted by the unintentional consequence of his actions. With each step, he sought solace in the wilderness, a place where he could try to make sense of the inexplicable situation that had unfolded.
He sought penance, distancing himself from human settlements, as if trying to escape the repercussions of the unearthly growth that sprouted from his efforts to heal. In his solitude, he grappled with his sense of responsibility and the unintended outcomes of his intentions.
Continue from Part 34: An Unsettling Encounter of the story. Sybil and Roskva landed safely where the rest of the cockroach kids are playing. There is elder brother Bjorn who has a face on the stomach and a mouth that eats , the other mouth on top is for speaking. Big beautiful sister with long hair Ingrid and Vidar is a strange one with two legs coming out from his mouth. Roskva shouting " giant serpent in abyss" . Bjorn is excited lets all go take a look .
Part 44: Awakening Leviathan: The Cockroach Kids' Encounter
Applauding Roskva's quick warning, the cockroach kids gathered around in a frenzy of excitement.
Bjorn, the elder brother, led the way with his peculiar face structure, expressing both joy and curiosity at the mention of the giant serpent.
Ingrid, the beautiful sister, warned, "We must be cautious! The serpent could be dangerous."
Vidar, with his unusual mouth-legs, voiced his agreement, "Yes, let's observe from a safe distance."
The group of cockroach children approached the Abyss, their tiny wings fluttering in a mix of anxiety and anticipation. They peered into the darkness, where the slumbering Leviathan rested after feasting on the souls from the pit. The sight of the colossal serpent sent shivers down their exoskeletons, evoking a mix of wonder and fear.
Bjorn, fascinated by the serpent's colossal form, started chanting, "Leviathan, Leviathan, awaken from your slumber!"
Ingrid tried to restrain her brother, "No, Bjorn, it's too dangerous!"
But it was too late. The chanting seemed to resonate through the Abyss, causing a faint stirring from Leviathan's deep sleep. The cockroach children stood frozen, uncertain of what might happen next.
rewrite with part 45 of the story including a title. It has been three years in isolation from human contact , the former Thosai priest survived in the forest.
One night Shiva appeared in his dream and gave him a magic hotplate and asked him to not use it until he is given permission. Shiva tell him to go forth , back to the village where he will learn the art of chef. He woke up to find the magic hotplate by his side.
He obeyed Shiva and went to the village. He was hired by an Indian Roti Prata restaurant where he starts learning to make roti prata as an apprentice. Roti Prata dough feels different from thosai dough, where he is finding it hard to master.
He thought of the magic hotplate , maybe it could help him make good prata. However Shiva told him not to use it.
Part 45: The Culinary Apprentice and the Forbidden Magic
After three years of solitude in the wilderness, the former Thosai priest persisted in his seclusion. One night, Shiva appeared in his dream, gifting him a magic hotplate and instructing him not to use it without permission. Upon awakening, the hotplate lay beside him, a tantalizing yet forbidden gift.
Following Shiva's guidance, he returned to the village and found work at an Indian Roti Prata restaurant. Despite his dedication to learn the art of making roti prata, the dough proved challenging to master, contrasting greatly with thosai dough.
Tempted by the magic hotplate's potential, he debated using it to perfect his prata-making skills, but Shiva's warning echoed in his mind, urging restraint.
rewrite with part 46 of the story including a title. This is his first time in his life to defy Shiva , he kneads a prata dough into shape and placed it on the magic hotplate. As the prata dough landed on the magic hotplate it sizzled and once it develop a conscious , it wondered who am I , why am I here. This is the birth of the Roti Prata Kosong Boy. Kosong means plain or empty without toppings. It immediately jump off from the hotplate and ran out of the restaurant door. The former Thosai Priest shouted " You are not complete , I have not put eggs on you yet ! Don't run away ! " . Immediately the former Thosai Priest fried two eggs who grew hands and legs . He commanded the two fried eggs to find the Roti Prata Kosong Boy and off they went.
Part 46: The Unforeseen Creation: Roti Prata Kosong Boy
For the first time, the former Thosai Priest defied Shiva's warning and placed the prata dough on the magic hotplate.
As the dough cooked, it gained consciousness, questioning its existence and purpose. Thus, the Roti Prata Kosong Boy was born—plain and bare, without any toppings.
The newly formed Roti Prata Kosong Boy leaped off the hotplate and darted out of the restaurant,
prompting the former Thosai Priest to cry out, desperate to complete the dish.
He hastily fried two eggs, which miraculously sprouted limbs, and ordered them to chase after the runaway creation.
And so, the chase began.
rewrite with part 47 of the story including a title. The two fried eggs search for the roti prata kosong boy all day but cannot find him. They took a break and entered a night club where they drank booze sang karaoke and forgot about their task entirely.
The former thosai priest knew that he cannot trust the two fried eggs. He bought thosai dough cooked it in the magic hotplate and created the Origami Paper Thosai Girl and her sidekick Vadai Kid. Origami Paper Thosai Girl folded herself into an origami paper airplane with Vadai Kid in it and blast off in search for the lost roti prata kosong boy and two fried eggs.
Part 47: The Pursuit of Unfinished Creations
After a futile search for the Roti Prata Kosong Boy, the two fried eggs took an unexpected detour into a lively night club. Intoxicated with booze and lost in karaoke, they carelessly abandoned their mission.
The former Thosai Priest, realizing the eggs' unreliability, took matters into his own hands.
Using thosai dough on the magic hotplate, he crafted the Origami Paper Thosai Girl and her trusty sidekick, Vadai Kid.
Origami Paper Thosai Girl folded herself into an airplane with Vadai Kid onboard, propelling them into the night sky in pursuit of the missing Roti Prata Kosong Boy and the negligent fried eggs.
rewrite with part 48 of the story including a title. Shiva and Loki is watching what is happening in the spiritual realm above Earth. Shiva lamented to Loki , my devotee disobey me ! Now we have random miracles running loose in Earth , this will not help in creating a good story for human history nor put us gods of Divine Tripartite Alliance (DTA) in good light. Loki replied that he can help to influence and carve out the story but unfortunately Shiva does not have anything to exchange.
Shiva and Loki are going back to Asgard to attend the Divine Comedy Part 4 scripted and directed by Beelzebub.
Part 48: Divine Oversight
Watching the unfolding events in the spiritual realm above Earth, Shiva and Loki discussed the unexpected chaos. Shiva expressed his concern over his devotee's disobedience and the ensuing random miracles scattered across Earth. This, he feared, would disrupt the construction of a coherent narrative for human history and cast a negative light on the gods of the Divine Tripartite Alliance (DTA). Loki offered his assistance in shaping the story, but Shiva lacked anything of equal value to exchange.
Both deities departed for Asgard to attend the Divine Comedy Part 4, skillfully scripted and directed by Beelzebub, seeking to witness how events would further unfold in the intricate tale woven by the mischievous sinister demon.
rewrite with part 49 of the story including a title. In Asgard where all gods and goddess assembled for the start of the Divine Comedy part 4. Beelzebub is on stage to explain the presence of a double mirrored chamber where the subject's own reflection will be infinite. There will be an evil demon Leviathan the other end of the reflection coming closer to the subject if the subject is afraid or weak in will. The subject will engage in a staring contest to push back the Leviathan to prevent it from possessing the subject. Beelzebub explained to the audience that Leviathan is a remote actor and his image is broadcasted from Midgard. Beelzebub is looking for a volunteer from the crowd and he pointed to Su Wukong.
Part 49: The Mirror of Leviathan
The gods and goddesses had gathered in Asgard for the much-awaited Divine Comedy Part 4. As the curtains rose, Beelzebub took center stage, unveiling a double mirrored chamber that promised an endless reflection. Explaining the rules, he detailed how an image of Leviathan, an evil demon, would approach the subject's reflection if fear or weakness emerged. To prevent possession, the subject would need to engage in a staring contest, pushing Leviathan back.
Beelzebub revealed that Leviathan was a remote actor, projecting its image from Midgard. Seeking a volunteer, he pointed to none other than Su Wukong amidst the crowd, setting the stage for an intense and potentially perilous confrontation with the spectral Leviathan.
rewrite with part 50 of the story including a title. Su Wukong took up the challenge and entered the double mirrored chamber. It was an exciting match up between the two , not loosing any focus , but Leviathan reflection is coming closer to Su Wukong that put him in rage . He use his magical staff to break all mirrors. Thor and team fight but cannot subdue the powerful monkey. The Jade emperor is glad that Su Wukong put up a good fight so that he does not lose face. Monkey sense the real Leviathan is in Midgard , he does a cloud somersault to Midgard. Tang Sanzang the guardian for Su Wukong volunteered to pursue the monkey. Odin gave Tang Sanzang one of Idun golden apple , saying if you see the last Midgard man give the golden apple to him as a reward for his performance.
Part 50: Reflections of Destiny
Su Wukong accepted the challenge and ventured into the double mirrored chamber. The confrontation between him and Leviathan's reflection was intense, both unwavering in their focus. However, as Leviathan's reflection drew closer, it stoked a furious rage in Su Wukong, prompting him to use his magical staff to shatter the mirrors.
Efforts to subdue the enraged monkey by Thor's team were futile. The Jade Emperor, however, was relieved that Su Wukong had put up a spirited fight, saving face for the divine assembly. Sensing the real Leviathan's presence in Midgard, Su Wukong performed a cloud somersault, darting down to
Meanwhile, Tang Sanzang, Su Wukong's guardian, volunteered to pursue the monkey. Before departing, Odin entrusted Tang Sanzang with one of Idun's golden apples, instructing him to offer it to the last Midgard man as a token of reward for his role in the unfolding drama.
rewrite with part 51 of the story including a title. Shiva and Loki has a bag of dhal for the last Midgard man and pass it to Tang Sanzang. The cooking instructions on the bag of dhal are in Sanskrit language that Tang Sanzang is familiar with to translate for the last Midgard man. It seems that his task on hand is to meet up with the last Midgard man while the chasing of Su Wukong is put on the back burner. He conjure a transport cloud to take him to Vegetarian Dung Ball Factory.
When Tang Sanzang on the transport cloud hover above the Vegetarian Dung Ball Factory , it is a spectacular sight of the gigantic thread mill , he can see the three dinosaurs and the last Midgard man running the thread mill that is build on high ground. The low grounds are infested in a moving mass of cockroaches and the ruins of the AI war. He also notices a large chasm The Abyss and he got a feeling the Su Wukong would be there.
Part 51: The Divine Delivery
Shiva and Loki handed Tang Sanzang a bag of dhal, asking him to deliver it to the last Midgard man. The instructions on the bag were in Sanskrit, a language familiar to Tang Sanzang, enabling him to translate for the man. Though his chase of Su Wukong was paused, his new task beckoned him to meet the last Midgard man at the Vegetarian Dung Ball Factory.
Mounted on a transport cloud, Tang Sanzang soared towards the factory. From above, he beheld the grandeur of the colossal thread mill, witnessing the last Midgard man, three dinosaurs, and the mass of cockroaches on the lower grounds. The remnants of the AI war sprawled across the ruins while a significant chasm, The Abyss, piqued his interest, suspecting Su Wukong's presence there. Tang Sanzang was set on his divine delivery mission.
rewrite with part 52 of the story including a title. Su Wukong landed on the edge of The Abyss , he sense evil Leviathan inside. Leviathan needs to fight Su Wukong outside to protect the cockroach kids she grew fond of over the years playing in The Abyss. She was thinking of one day having kids of her own. She confronted Su Wukong in open space and fought.
Part 52: Clash of the Divine Guardians
Su Wukong arrived at The Abyss's edge, sensing Leviathan's malevolent presence within. Leviathan, cherishing the cockroach kids she'd grown attached to, stepped forward to confront Su Wukong. She needed to protect the playful creatures she had come to care for, nurturing thoughts of having her own offspring someday. The two divine beings clashed, engaging in a fierce battle in the open space surrounding The Abyss.
rewrite part 53 of the story including a title. Leviathan chase Su Wukong through the dark forest filled with cockroaches , towards the factory and the colossal thread mill. At the colossal thread mill , Leviathan was distracted by the scent of the Midgard serpent in disguise of a dinosaur. Leviathan rage of Su Wukong transformed into curiosity and headed in the direction to meet the dinosaur serpent. Leviathan immediately attacked the fake dinosaur , the two serpent coil together in fight or in love. It is hard to tell.
Part 53: Serpent's Encounter: Love or War?
Leviathan chased Su Wukong through the dark forest teeming with cockroaches, heading towards the colossal treadmill at the factory. Upon reaching the treadmill, Leviathan's rage towards Su Wukong was diverted by the scent of the Midgard serpent disguised as a dinosaur. Her curiosity piqued, she approached the dinosaur serpent. In an instant, Leviathan attacked the disguised serpent. The two serpents coiled together, their fierce struggle blurring the lines between combat and an unexpected, passionate entanglement.
rewrite part 54 of the story including a title. The inter coiling giant serpents cause tremors to the landscape. Their violent movement cause the coiled serpents to fall off the the edge of the treadmill , downwards towards Su Wukong on lower ground. Su Wukong has detected the 5 cockroach children , Sybil, Roskva, Bjorn, Ingrid and Vidar , who have human like consciousness in them. Su WuKong decided to shield them from the failing serpents as he detected no evil in them. When the tumbling serpents hit the ground , causing a heavy earthquake and destruction to the surrounding environment.
Part 54: Tremors of the Serpent Clash
The intertwining giant serpents caused tremors throughout the landscape. Their violent movements led the serpents to fall off the edge of the treadmill, tumbling down towards Su Wukong on the lower ground. Su Wukong detected the presence of the five cockroach children—Sybil, Roskva, Bjorn, Ingrid, and Vidar—who exhibited human-like consciousness. Sensing no evil in them, Su Wukong decided to shield them from the falling serpents. As the tumbling serpents hit the ground, a massive earthquake erupted, causing widespread destruction to the surrounding environment.
continue from part 51 of the story including a title. Tang Sanzang was greeted by the last Midgard man who ushered him to a pavilion for tea. Tang Sanzang offered the sack of dhal , translated the cooking instructions to the Midgard man who nod his head. Tang Sanzang offered the golden apple to Midgard man , he hold it in awe then broke down in tears. He told Tang Sanzang that he is unworthy of the gift of eternal life. He has failed to produce the Super Cockroach Man , out of 100 births 94 still born , only 6 are cockroach kids are alive. He continue to lament about his failure. Tang Sanzang felt sorry for him and hope to say some words to lift his spirits.
Part 55: The Burden of Failure
Tang Sanzang was greeted by the last Midgard man, who ushered him to a pavilion for tea. Tang Sanzang offered the sack of dhal, translating the cooking instructions to the Midgard man, who nodded his head in understanding. Tang Sanzang then presented the golden apple to the Midgard man. Holding the apple in awe, the Midgard man suddenly broke down in tears.
"I am unworthy of the gift of eternal life," he confessed. "I have failed to produce the Super Cockroach Man. Out of 100 births, 94 were stillborn. Only six cockroach kids are alive."
He continued to lament his failure, his sorrow evident in every word. Tang Sanzang felt a deep sympathy for him and hoped to find words that might lift his spirits.
"Do not despair," Tang Sanzang said gently. "Life is not measured by success alone but by the effort and resilience you show in the face of adversity. Your perseverance is remarkable, and your dedication to your cause is commendable. These children, though few, are a testament to your hard work and care."
The Midgard man looked at Tang Sanzang, his tears slowly drying. The words seemed to provide a small glimmer of hope amidst his sorrow.
Part 56: A Ray of Hope
Their happy mood was interrupted when one of the cockroach kids, who did not yet have a name, cried out. This child had an abnormally large head, and its legs grew from the top of its head, making it impossible for the child to walk.
"You see," Tang Sanzang said softly, "Every life finds its own path. Your children may not be what you expected, but they have their own strengths and beauty."
The Midgard man nodded, a renewed sense of determination settling in his heart. He embraced the joy of his child's newfound mobility, feeling a glimmer of hope for the future.
continue part 54 of the story including a title. Su Wukong see that the cockroach kids are not hurt and sensing his master presence , took off in that direction. The cockroach kids see that the adult monkey has left , decided to climb onto the back of Leviathan the serpent , this is Bjorn bright idea of having dangerous fun.
Su Wukong was excited to meet his master Tang Sanzang , he was narrating his whole fighting with Leviathan the giant serpent , then chase by it through the dark forest , then there are two serpents fighting causing an avalanche and he Su Wukong being the hero saving the cockroach kids .
Tang Sanzang listened with bias and scolded Su Wukong for not protecting the cockroach kids fully to bring them to a safe area.
Su Wukong replied that it is because I am too eager to come to you my master.
Tang Sanzang was still mad at Su Wukong to start the fighting with Leviathan . Tan Sanzang started chanting , this makes the golden headband tighten his head , making his face cringe in pain.
The Last Midgard man try to stop Tang Sanzang from chanting , to forgive Su Wukong who is after all is only having fun and in the process save his cockroach kids from harm. The kind words entered Tang Sanzang ears and he listened , and reflected on his actions and he quick to punish Su Wukong over the years. He has been like a bad father .
Tang Sanzang ask Midgard man for a quiet place to meditate . The Midgard man recommended him Midgard Peak . That place has a history of horror . He remembered queuing in line to enter the telepod in Midgard Peak , where he entered then catapulted out of the second telepod into the abyss. That day all his kind died and he became the last man in Midgard planet.
Part 57: A Lesson in Forgiveness
Part 58: Reflection and Redemption
Part 59: The Unexpected Turn
Part 60: The Serpentine Battle
Part 61: The Watchful Guardian
Part 62: The Director's Dilemma
Part 63: The Spacebound Farewell
continue from part 46 and 47 and 63 . The spacebound capsule was leaving Earth and entering to the vastness of space. The dead was not alone , Roti Prata Kosong Boy has manage to snuck into the capsule to hide from his creator , who was the former Thosai priest who was blamed for the death of many villagers. Roti Prata Kosong Boy started to rant , why was he created and what is the meaning of his existence to the dead , who listens to him without interruption. His heart found peace after seeing beauty of starts in the vastness of space.
Part 64: A Journey into the Stars
